Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Thursday, 31 May 2018

The Fall


(originally published in Third Lives Matters magazine, summer issue)


Britain’s National Youth Theatre celebrated its 60th birthday by staging a hard-hitting play about the way young people see their relationships with old people, ageing and their own futures. James Perrett, 27, went to see it for TAM 

“Do you think it’s that bad, being that old?”  
“I suppose we’ll find out soon enough. 

What is your life worth? Not existentially, but in cold, hard cash? 

That is the question throughout the three subplots of James Fritz’s The Fall, recently performed by the National Youth Theatre at Southwark Playhouse in London. 

Each story questioned the balance between the value of an older person’s life and that of the young people around them. 

How much can the younger generation truly empathise with the older, when the former feels dispossessed and views the latter as financially secure? 

The first: two young lovers break into a 92-year old’s house to find him semi-conscious, having taken an overdose. The ethical question: do they leave him to die “the way he wanted” or do they call an ambulance, risking their own arrest? 

They already resent the man for living in "house number three" of the Monopoly board they will never get on. The dissonance between their ages and his is clear in their attitudes towards “pills and shit like that keeping us alive too long.” 
Is leaving him to die kind, or self-serving? 

The second: a tale of getting old through the eyes of those around you. 
We watch a couple's life grow until they are "48 and still renting", struggling to raise a teenager and fractured with disagreement about accepting the offer of the husband's mother, Jean, to sell her house and give them the money. In the end, the husband refuses, and Jean has to die before she can help her family. 

We never see the slowly ailing Jean; she's the abstract concept of "getting old" that lingers in the minds of the young. 

The disgraceful lack of help is highlighted: a government-funded carer has 15 minutes to get to the house, finish and leave. This may be the only human contact an old person has for the entire day. "How can there be no help?" the wife asks, as we ask it too. 

The third: a dystopian but realistic vision of current under-25s as over-95s, in home offering euthanasia as a means to provide financial security for their families. 

This may be a dramatic knee-jerk solution to our very real housing problem and to the perception that there are “too many” old people. But one only has to think about it to wonder what the consequences of the dearth of affordable housing will be 70 years from now as governments continue to ignore it. 

Might being priced out of this world be 2088's version of the “social cleansing” that is today seeing people priced out of their homes as private replaces social housing in cities all over the UK? 

Monday, 24 July 2017

Mortified!


Mortified Live; London Saturday, 22nd July 2017 Leicester Square Theatre

https://getmortified.com/live/

Like most of us, my teenage years can be reddening to recount.

I started watching Sex and the City at age 13 and wanted to be Carrie Bradshaw so much that I spent most of my remaining teens casually slipping her pearls of wisdom into conversation, thinking it made me sound smart and worldly to tell my fellow classmates that "men are like cabs" or that "sometimes a woman really does need to be rescued"

And like many others, I kept diaries. Hilarious, pathetic, Carrie Bradshaw inspired capsules of my most cringe-worthy thoughts and feelings, chronicling the trauma of M.I.A classmates; "Josh hasn't been in school for three days...I hope he's not dead!", or the eternal support I had for my friends; "omg Lily dumped Matt and he's just wandering around crying... But luckily me and Abi are SO strong."

Luckily, I am yet to share those with an audience on a Saturday night in Leicester Square (watch this space) however props to the six hilarious women we witnessed do so as part of Mortified.

I'm not going to attempt to review this brilliant piece of theatre because it's just too funny to try to sell. Watch the documentary on Netflix (Mortified Nation) then imagine crying with laughter seeing it live on stage with a beer in hand; you'll get the jist.

At the interval, we were told the London "chapter" of Mortified were running a competition. Tell them your most embarrassing teenage anecdote and you can win tickets to their next show. And so I shared...

For once this isn't a lamentation on my "colourful" school days. This is, in lieu of standing on a stage, my catharsis. You know... behind a keyboard... the cowardly way.

Year 10 Sports day at Tunbridge Wells Grammar School for Boys.

Dreaded, dreaded sports day.
As it was the last mandatory year to take part, we all ended up getting assigned competitions. Never one for sports, or girls, or anything else that would equal conformity in an all-boys school, the whole day filled me with fear.

My assigned competition: the 400m. Just once around the track. Unfortunately I was stationed on the inside lane - thus at the back of the race - and though I knew the lanes were all the same length, I automatically felt paranoid that I would finish last! Worst.Outcome.Ever.

So off I sprinted, not caring where I ended up just determined not to be at the end so that I can avoid further torment! A little while into running as fast as I possibly could, I took the opportunity to make the fatal mistake of having a little glance around me...to see the rest of the race at least 150m behind! Spurred on by the crowds, that one blue Powerade I had for breakfast and my own tragic desperation for this to be the thing that finally made me cool, I upped the ante and full on legged it towards the finish line.

100m from the end, that beautiful white line in sight, teachers shouting "he's breaking the school record!" over the tannoy, that one friend I had feeling proud by association for once, thoughts of proudly going home to tell my family of my success... Then my vision started going a little funny. And by funny I mean black.

75m away and my legs started to turn nice and jellified. My eyes started prickling.

50m from the finish line I started to stumble. And then, like a tragic, desperate Bambi, my legs completely gave way and just short of the finish line, in front the entire boys school, I passed clean out.

Cue: being carried off the field by a teacher, hysterical laughter from the audience and another year of humiliation; including one charming teenager turning the lockers into a pop-up photo gallery that boasted only repetitions of the various stages of me on my way down to the ground as I fainted on the sports field.

Ah, to be young again.